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Walk the moon album art skin#
Jeff Martin’s guitar solo gets lost in the euphoric moment of the warm sun striking across the skin as lyrics like “the rain may follow you, but the sun will shine on through” emphasise the tracks blissful aura.Īs a band that boast to be ‘one of the heaviest three-piece bands you’ve ever heard’, the record begins to fall short with the entrance of So Careless and Our Love. Sunshower takes a buoyant and care-free turn, like taking a walk on a secluded beach during Golden Hour whilst the rest of the world is still quiet and at peace. Way Way Down also swaggers on in with attitude in line with TYLER BRYANT AND THE SHAKEDOWN’s sleazy hard rock, as both tracks follow a short and simple formula that get the record off to a promising start. Opening track Black River stands to its namesake, its heavy southern blues vibes clearly influenced by the spiritual flow of the Mississippi River and the myth-laden bayous of New Orleans. Whilst this may sound like a treat, they only come to those with patience in getting through the first three quarters of the record. This 14-track LP not only features 10 original songs, but the CD version also offers three covers in the form of LED ZEPPELIN’s Out On The Tiles, JOY DIVISION’s Isolation and MORRISSEY’s Everyday Is Like Sunday, as well as a live version of the album’s second track Way Way Down. Assessing the relationships between progressive rock, blues, industrial, and even Middle Eastern influences, their 30 years of research has culminated in the release of their latest offering Blood Moon Rising. A similarly covered CD, only in pink (and released two years later), is also called "The Best Of" but focuses more on the group's album tracks.Canada-based rock band THE TEA PARTY have spent their three-decades long career experimenting and combining unique musical sounds from each corner of the world over nine major label releases. The vinyl version contains the (sometimes preferable) single mixes the CD and cassette contain 12" remixes, good for the collector, bad on the patience. But soon, after their break with ZTT and joining China Records, it wasn't long until they were parodying themselves and trying to score pop hits with a recognizable "sound." Singles featured older pop stars trying to score a hit again ( Duane Eddy on "Peter Gunn," Tom Jones on "Kiss"), current celebrities riding their own popularity wave (Max Headroom), or cover songs gussied up with a few more car starting sounds (the made-for-hire "Dragnet '88," used in the regrettable film remake). It was like Dada had invaded the charts, circa 1984. The 1-2-3 rush of "Beat Box," "Moments in Love," and "Close (To the Edit)" make this CD worth the money already - at the time of their release, these singles swiped electronic music back from America (by way of Germany) and cut the whole thing up with ridiculous samples (a car starting, the omnipresent orchestral hit) and enjoyable art school posturing.
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As an overview of Art of Noise's brief output, this best-of can't be beat, though it does inadvertently track their slide from forerunners to recyclers and cultural panderers.